I've just posted up my review-cum-essay of Christopher Nolan's new film,
Inception. In in it, I focus on the way in which it closely references other Hollywood movies in its representation of dreams. By this, it uncannily blurs the boundaries between dreams and reality, fiction and truth, for the cinema audience.
"Clearly,
Inception is a highly accomplished movie - for a Summer blockbuster. No one can possibly be so dulled to the dazzle of special effects and stellar cast, and the fast-paced action sequences, not to appreciate it at some level. The question that Nolan's unusually intelligent thriller wants us to ask of it, however, is whether this is a good, thought-provoking film by any standards, not just Hollywood's own seasonal one." Continue reading this
essay on Inception.
Labels: Christopher Nolan, film, Inception
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